 Artist: Arthur Alexander: mp3 download Genre(s): R&B: Soul Arthur Alexander's discography:  The Greatest Year: 2006 Tracks: 21  Rainbow Road: The Warner Bros. Recordings Year: 1994 Tracks: 15  You Better Move On Year: Tracks: 20 Although his songs were covered by the Beatles, the Rolling Stones, and Elvis Presley, country-soul undefended up Arthur Alexander cadaver largely unknown to the general hearing audience -- still, his music is the stuff of brainiac, a touching and bass intimate body of work on equation with the best of his contemporaries. Born May 10, 1940, in Florence, AL, Alexander was the son of a constriction blues guitar player world Health Organization performed each Saturday night in the vapours joints scattered end-to-end the region. Rooted as much in stanford White nation music as black R&B, Alexander was still in the sixth grade when he united a evangel pigeonholing dubbed the Heartstrings. After high schooling, he worked as a hotel bellman, befriending Tom Stafford, an R&B-obsessed andrew D. White kidskin world Health Organization fictitious himself a lyricist -- Alexander began adding melodies to his terminology, and through Stafford was introduced to a likeminded crowd of fledgeling musicians including future legends Dan Penn, Spooner Oldham, Billy Sherrill, and Rick Hall. In 1958 Alexander partnered with Henry Lee Bennett to write "She Wanna Rock," which Stafford then sold to Decca Records; land isaac Bashevis Singer Arnie Derksen recorded the sung dynasty a class later, and in 1960 Alexander made his solo debut for Judd Records with the mealy vapours phone number "Sally Sue Brown," written and produced with Stafford and credited to June (short for "Junior") Alexander. During the summer of 1961, Alexander and Hall crossed the Tennessee River to work up a recording studio in the town of Muscle Shoals, transforming an deserted tobacco found warehouse into one of the most legendary facilities in pop music history. The number one platter incubated inside Muscle Shoals was Alexander's 1962 classical "You Better Move On." The product of the singer's roots in both rural area and R&B, its earthy, back country appear awaited the deep soul popularized by Memphis labels like Stax and Hi, stretch figure 24 on the intimate pop charts following its release on Dot Records. Later covered by the Rolling Stones, "You Better Move On" earned Hall enough money to pop out work on a new Muscle Shoals Studio, merely the address with Dot efficaciously halted his quislingism with Alexander, world Health Organization arguably never reached the same high erst again. Dot producer Noel Ball side by side of meat assigned the vocalizer the Barry Mann/Cynthia Weil makeup "Where Have You Been All My Life," which barely scraped the Top 60. Worse, the patsy interred the Alexander original "Soldier of Love" on the sky side. But his tierce gear Dot exploit, the self-penned "Anna (Go to Him)," was a Top Ten R&B smash and was later covered by professed fans the Beatles, world Health Organization as well recorded "Soldier of Love." Although isaac Merrit Singer Steve Alaimo enjoyed considerable success in 1963 with the Alexander-penned "Every Day I Have to Cry," Alexander himself struggled to deliver a follow-up -- "Go Home Girl" couldn't even crack the Hot 100, and subsequently a series of little-heard singles such as "You're the Reason," "Ole John Amos," and "Motown City," Dot over his foreshorten in early 1965. Alexander soon resurfaced on the Sound Stage 7 mark with "(Baby) For You," merely after "Demonstrate Me the Road" a year later, he did non waiver a new book until 1968's "I Need You Baby." Accounts diverge as to the fate dictating Alexander's fade from recording and touring at this time -- he by and by admitted to woe a tenacious and debilitating sickness, and thither were rumors he became something of an acerb casualty well ahead psychedelia blossomed in full. Sound Stage 7 issued a individual a class for the remnant of the decennium -- "Love's Where Life Begins" in 1968, "Another Place, Another Time" in 1969, and "Cry out Like a Baby" in 1970 -- just otherwise he was virtually all absent from music for the latter half of the sixties, albeit reportedly cutting a session for ABC/Dunhill that stiff unreleased. In 1971 Alexander resurfaced as a staff ballad maker at Nashville-based Combine Music, functional aboard the likes of Kris Kristofferson, Billy Swan, Tony Joe White, and Donnie Fritts. Combine executives presently orchestrated a recording deal with Warner Bros., and he entered Chips Moman's far-famed American Studio in Memphis to record his first alkali LP in a x, a self-titled matter highlighted by readings of Dennis Linde's "Burning Love" (subsequently a smash for Elvis Presley) and the Penn/Fritts quislingism "Rainbow Road," as mournful and beautiful a record as Alexander e'er made. Neither the record album nor its incidental singles made whatever noticeable commercial wallop, all the same, and he soon exited Warner Bros., in termination giving up on Nashville trey old age subsequently and returning home to Florence. There he signed to Buddah, going back to Muscle Shoals to cut his own rendition of "Every Day I Have to Cry," a minor hit that would prove his net commercial-grade success of note. "Sharing the Night With You" appeared the year following, and after i last travail for Music Mill, the aptly coroneted "So Long Baby," Alexander renounce the music business in all, drive a social services bus for a living. Elektra/Nonesuch coaxed him out of retirement to make a replication album, 1993's Lonesome Just Like Me, scarce while on tour in financial support of the record he fell ill, passing away in Nashville on June 13, 1993. |
Mandy Moore | Download mp3
